The Restoration Earlier this year, Max Zeugner of the New York Philharmonic brought his early 19th Century double bass for restoration. The instrument was built in Florence by Cassini, and among the many things going on, the six piece top had lost much of its arch. Lots of tender care has been given in the restoration. A plaster cast was made, and with breast patches, careful repairs, removal of old problematic repairs, and doubling of the edges, it has come back to what we believe the maker intended. https://youtu.be/AvSQ6TxLSqc https://youtu.be/TtX063hZ998 Unrestored Cassini top left, getting intensive interior work The Recreations…
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Joel Quarrington sits down with Gary to examine in detail his tuning of the double bass in fifths and using it in all applications! If you dare to buck convention, Joel has compelling reasons why it enhances his role in the orchestra. For over forty years, Joel Quarrington has served as the Principal Double Bassist of many ensembles including the Canadian Opera Company, The Toronto Symphony and Canada’s National Arts Centre Orchestra and most recently, the famous London Symphony Orchestra. We've made a copy of his beloved 1660 Maggini, played here side-by-side as we get closer to a perfectly built…
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Let's take it to the tape! Gary referees this vexing bass size question. https://youtu.be/2nGMMeFBh3Q
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Introducing the Mittenwald Model Upton Bass, a true embodiment of elegance and functional design, inspired by the time-honored traditions of classic German craftsmanship. This instrument is more than just a bass; it's a masterpiece that beautifully melds artistry with practicality, making it a prized possession for musicians and collectors alike. It’s no wonder this beauty has captured the hearts of everyone in the shop—visitors can't help but be drawn to its striking features, and many are eager to call this bass their own! Take a moment to admire the stunning center cut of the back on this Mittenwald Model Upton…
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